Meke Vula:Embodiment, memory and the moon.An iTaukei-Aotearoa perspectiveVasemaca Tavola (she/her)
Dravuni, Kadavu (Fiji), Pākehā
Treehouse Seminar Room, Botanic Garden ki Paekākā
Saturday, 19 September 2026 1:00 pmFREE
Artist-curator Vasemaca Tavola was mainly raised in the Northern Hemisphere where she spent her childhood celebrating her birthday in the spring. When she moved to Aotearoa aged 16, her birthday season became autumn. On her life-long journey to strengthen her knowledge, connection and relationship with her birthplace Fiji, spring as a season does not exist. Whilst spring in Aotearoa is a time for new growth, warmer weather and relief from the cold, for Tavola, the season remains somewhat elusive, untethered to a concrete sense of time or geography.
Like the maramataka, the iTaukei Indigenous Fijian lunar calendar is based on planting and fishing seasons, but what happens when our feet are no longer in the soil? How can ecological wisdom be retained and transmitted across generations and geographies? If time and seasons can be as multidimensional as the lived experience of Indigenous people who move and migrate all over the globe, what are the ways we can ground ourselves in the natural world?
Tavola’s practice centres Indigenous artists and ideas, multidimensionality of Indigenous experience, dreaming and transformation. For Ahikaea, Tavola offers a visual feast of creative ideas to inspire fresh conversations about creativity, elusive seasonality, embodiment and the Moon.
Vasemaca (FKA Ema) Tavola is a Fijian-Pākehā artist-curator currently based on the Kāpiti Coast. Tavola’s practice is aligned with the politics of decolonisation and Indigenous feminisms, motherhood, and histories of BIPOC art and activism in the Global South. She established her painting practice in Suva, Fiji before relocating to South Auckland where she studied sculpture, arts management and applied Indigenous knowledge. As a visual artist, Tavola works primarily in textiles drawing from art histories that centre women, revolution and social justice.
Since 2019, Tavola has operated Vunilagi Vou, a shapeshifting gallery, creative studio and consultancy that advocates for creative practice and visual language as a mode of connection, transformation and decolonisation.
Tavola’s practice spans multiple mediums, centring Indigenous artists and ideas while exploring the multidimensionality of Indigenous experience, dreaming and transformation. In 2026, Vasemaca Tavola forms one half of a WOW finalist duo with Czarina Wilson, whose collaborative entry for the World of WearableArt Show, GLO!, has been named a finalist in the Aotearoa category.
Vasemaca Tavola artist portrait. Photo: Nigel Borell